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CIUDAD CAPITAL (2011)

CIUDAD CAPITAL

Edit. Chancacazo, Octubre, 2011

The first book of short stories, with ten stories, shows us characters of the city and their lives that go unnoticed in the immensity of its structures and exhaustion. The book had two editions under the publishing house Chancacazo.

 

In 2013, CIUDAD CAPITAL was awarded by the Chilean Ministry of Education, recommending its reading to students. 

 

CIUDAD CAPITAL has been presented in the following events:

- 13th Ñuñoa Book Fair, Santiago de Chile.

- 5th Independent Publishers Fair, Santiago de Chile.

- 31st Viña del Mar Book Fair, Chile.

- Radio Universidad de Concepción, Chile.

- Radio Universidad de Chile. 

- La Peña Cultural Center, San Francisco, California.

- Barco de Papel Cultural Center, Queens, New York.

- 13th New York Hispanic Latino Book Fair, New York.

- Graduate Center CUNY, invited to exhibit in the literary series of Enclave magazine and the Latin American Writers Institute (LAWI).

- Maker Park Radio, Hybrid Literary Radio Program (Staten Island, New York)

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CRITICISM AND COMMENTARY

“…these are stories that are almost always accomplished and compelling, revealing unknown worlds—most often worlds entirely lacking a voice or presence in the public sphere and in our literature. Unlike so many writers dazzled by modernity, shopping malls, and journeys to exotic destinations, this writer is interested in anonymous people: the unemployed, lonely romantics lost in small towns, or failures who never achieved what they once dreamed of…”
— Camilo Marks, El Mercurio, October 2011

“Capital City is an essential book within our civic culture, because it tells stories of the city through deeply human characters portrayed with remarkable simplicity. Without ever raising its voice, Capital City simply reveals life in the metropolis. Recommended for the development of civic awareness among students.”
— Ministry of Education of Chile
Bibliotecas CRA – Ministerio de Educación de Chile

“Escalona explores curious corners and singular characters with an attentive, inquisitive gaze. In doing so, he offers a kind of narrative only possible for those who remain open both to innocence and to insight and wit.”


— Inmaculada Lara Bonilla, PhD, Director of the Latin American Writers Institute at Hostos Community College, City University of New York

12 hrs

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SPEAKEASY
Calendar of Gatherings
Saturday, June 26.
The first Música para las ratas Speakeasy will open the archive for a few hours. We will talk about the novel, its creative process, read unpublished excerpts, and explore the invisible city that lives beneath New York. Attendees will receive exclusive extracts from the manuscript, along with secret texts written by the Flautist himself.

Saturday, August 22.

“The City We Do Not See” is a conversation on memory, migration, and urban ghosts in New York. Esteban Escalona will join other New York writers in discussing the hidden and marginal New York that never appears on tourist postcards. Unpublished excerpts from Música para las ratas will also be read.

An evening of literature, cityscapes, and hidden archives. Attendees will receive exclusive extracts from the manuscript, along with recovered texts written by the Flautist himself.

September

“The Night of the Flautist” — Launch event for the novel at the New York Public Library, Stavros Niarchos Foundation Library.

Date and time to be confirmed.

Restricted Material

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"We stepped out of the alley and sat on the curb. We watched the people, the rain. I pulled out some American Spirits. I lit her cigarette, and her face lit up in the drizzle, accompanied by the fading melody of Miles Davis drifting out from the bar. There was something so compassionate in her expression that all I could do was take a drag and exhale the smoke toward the sky, while she, with an indifferent gaze, watched the city’s nighttime joy unfold. (Music for Rats)

Secret Files

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The Flautist’s Routes

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